TRATTATO SEMISERIO DI OCULISTICA - REM
CONCEPT AND PERFORMANCE BY
ORLANDO IZZO and ANGELO PETRACCA
Production Interno5 with the support MIBACT
Electa Creative Arts
winner of DNAppunti coreografici / ROMAEUROPA Festival
“What it is it wouldn't be, and what it wouldn't be it would!” – Alice in Wonderland, Lewis Carroll.
The relativity of an action, of a daily gesture and by extension of any “presence” visible to the eyes, gives birth to the question that both authors and dancers set watching themselves during the creation. What is true and absolute in the instinct of a movement? The not-so-scientific research that they want to deepen during the residency starts from the root of what causes in the very first instance the opinion about any reality: the sight. Every thing that exists and so every thing that is created and danced is exactly created and danced using the sight of the creator and the sight of the public interlocutor: what makes it universal because the point of view can deeply change due to syndromes that falsify the visual perception of reality (Syndrome of Alice in Wonderland), eye disorders or due to distances and prospectives that can be different than the place of the performance?